Manusya, Journal of Humanities
Publication Date
2020
Abstract
Leh Laweng (The Wiles of Laweng) was a new dance-drama the authors created in 2019 in a post-traditional style of “Lakhon Phanthang” or hybrid dance theatre form. Working in our faculty’s theatre, the authors developed an original woman-centerd plot from the well-known Thai epic poem The Story of Phra Aphai Mani by Sunthorn Phu. Our new four-act script focused on the key, but neglected, figure Laweng – a Western-styled warrior queen – and reworked traditional modes of presentation to better convey a new sensibility for today’s audiences. While performed by traditional performers, cast for their abilities in traditional dancing and their knowledge, without regard to their gender, their acting also incorporated some modern theatrical techniques. The new style of this hybrid Thai dance play sought to convey a new message to contemporary audiences, while retaining key aspects of the Thai traditional form and taking on a more contemporary look. The process of reinventing Lakhon Phanthang into a post-traditional performance allowed artists, academics, and students to enrich their knowledge and through this new hybrid play for today’s audiences.
DOI
10.1163/26659077-02303005
First Page
352
Last Page
372
Recommended Citation
Jirajarupat, Phakamas and Rattanachaiwong, Nataporn
(2020)
"Leh Laweng : Reinventing “Lakhon Phanthang” Hybrid Dance Theatre in a Post-Traditional Style,"
Manusya, Journal of Humanities: Vol. 23:
No.
3, Article 4.
DOI: 10.1163/26659077-02303005
Available at:
https://digital.car.chula.ac.th/manusya/vol23/iss3/4