Journal of Urban Culture Research
Publication Date
2014-07-01
Abstract
"Manipulation" is an important concept in the films of Jan Švankmajer, an influential Czech surrealist filmmaker. As a surrealist artist who aims for the liberation of humans from any kind of restraint, he insists that people should resist all kinds of societal manipulations. His insistent exposure of manipulation can be seen as a protest against its concealment as a convention. However, the idea of manipulation has more ambiguous meanings in his films. Švankmajer brings inorganic objects to life through careful manipulations, such as stop-motion animation, while applying the same techniques to humans to disrupt their identities. Consequently, both humans and objects are represented as puppets: humans as quasi-objects and objects as quasi-autonomous things. These hybrid puppets expose the contradicting nature of human beings, perpetually in the tension between freedom and restraint.
DOI
10.58837/CHULA.JUCR.9.1.6
First Page
78
Last Page
84
Recommended Citation
Kawakami, Haruka
(2014)
"Manipulation: Jan Švankmajer's Animation Technique and Criticism on Civilization,"
Journal of Urban Culture Research: Vol. 9, Article 6.
DOI: 10.58837/CHULA.JUCR.9.1.6
Available at:
https://digital.car.chula.ac.th/jucr/vol9/iss1/6