The Subjectivity and Conformity Issues in Contemporary Practices of Algorithmic Creativity

Authors

• Tetiana Sovhyra
• Larisa Babushka
• Tetiana Andrushchenko
• Olena Onischenko
• Mykola Brovko

Publication Date

2026

Abstract

This article examines the issue of subjectivity and conformism in algorithmic cultural practices (robotic performances and neurocomputer installations “A3 K3 Dragan Ilic," “Alone Together," “NOOR” and “AIBO”). The focus is on the technological features of algorithmic creativity, which is based on machine learning, stylistic imitation and computational data processing. In this context, ethical and legal issues related to copyright and the recognition of artistic works created by artificial intelligence are analyzed. In particular, mechanized artistic practices create the illusion of autonomous creativity, whilst retaining the decisive role of human subjectivity in the organization and interpretation of cultural processes. Algorithmic creativity remains dependent on human programming, technological mediation and artistic conception. However, the creative process involving BCI may take on characteristics of subjectivity. This is evidenced by court rulings on the determination of subjectivity and copyright in works created through algorithmic computations.

DOI

10.14456/jucr.2026.7

First Page

113

Last Page

124

Recommended Citation

Sovhyra, Tetiana; Babushka, Larisa; Andrushchenko, Tetiana; Onischenko, Olena; and Brovko, Mykola (2026) "The Subjectivity and Conformity Issues in Contemporary Practices of Algorithmic Creativity," Journal of Urban Culture Research: Vol. 32, Article 8.
DOI: 10.14456/jucr.2026.7
Available at: https://digital.car.chula.ac.th/jucr/vol32/iss1/8