The Figures of (Sound/Noise) in the Thai Art Context

Authors

• Haisang Javanalikhikara
• Suebsang Sangwachirapiban

Publication Date

2025

Abstract

This study explores the evolution of sound art in Thai modern and contemporary art from the 1960s to the present. Early artists visualized sound using traditional elements, while the 1990s saw a shift toward media, video, and performance art, driven by global trends and new art spaces. The 2000s brought international recognition, with artists integrating interactive and conceptual sound elements. By the 2010s, those with music backgrounds introduced sophisticated sound systems and interdisciplinary collaborations. However, challenges persist, including inadequate exhibition spaces, limited funding, and a lack of technical expertise. These constraints slow down innovation and the broader recognition of sound art in Thailand. Addressing these issues through government and private sector support is crucial to fostering a more sustainable ecosystem for artists. Increased awareness and institutional backing will ensure the continued growth of sound art, allowing artists to explore new creative possibilities and expand their audience.

DOI

10.14456/jucr.2025.3

First Page

37

Last Page

50

Recommended Citation

Javanalikhikara, Haisang and Sangwachirapiban, Suebsang (2025) "The Figures of (Sound/Noise) in the Thai Art Context," Journal of Urban Culture Research: Vol. 30, Article 4.
DOI: 10.14456/jucr.2025.3
Available at: https://digital.car.chula.ac.th/jucr/vol30/iss1/4